RESEARCH INTO THE CONSTRUCTION, DECONSTRUCTION AND POETICS OF REAL-TIME NARRATIVE
Performative Practice in Live Cinema
My Master’s thesis, Research into the Construction, Deconstruction and Poetics of Real-Time Narrative, explores how stories and meaning can be created through the relationship between moving image, editing, colour, sound, technology, performance and audience. Using Live Cinema as both a theoretical and practical field of experimentation, I investigated what happens when traditional cinematic language is taken apart, recombined and transformed to create new forms of visual storytelling.
Although written in 2012, the questions behind the research feel increasingly relevant today: how do new technologies change the way we create, communicate and experience stories? If you’re interested in storytelling, creative thinking, moving image, art and technology, this research offers a different perspective on how experimentation can lead us beyond established formulas and towards new visual languages.
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Vision
I'm interested to deepen into the various practices that expand the boundaries of cinematic concept. The action, though used as a reference film language, de-constructs its narrative language.
The practice of the meta-narrative consists in the use of software, the introduction of elements of performance, and the constant visual manipulation, its transitions, the movements, the atmosphere, the visual purity and the intrigue of the elements that change the cinematographic concepts.
A live art, which requires performance and public.
The creators, audio and visual, work on an equal plan, trying to explore all possibilities of expression through collaboration.
